Domingo – 19:30
OtocantO
Marina Mapurunga
Artista e pesquisadora que atua no campo do audiovisual, da arte sonora e da música. Professora de som dos cursos de Cinema e Artes Visuais da Universidade Federal do Recôncavo da Bahia (UFRB). Doutoranda em Música (Sonologia) pela USP, onde desenvolve sua pesquisa sobre práticas sonoras experimentais como estratégias de ensino para a criação sonora em cursos de cinema e audiovisual. Pesquisadora do NuSom – Núcleo de Pesquisas em Sonologia da USP e do LinkLivre – Grupo de Estudos e Práticas Laboratoriais em Plataformas, Softwares Livres e Multimeios da UFRB. Integrante da rede Sonora – músicas e feminismos e da Orquestra Errante. Coordenadora e integrante do Laboratório de Pesquisa, Prática e Experimentação Sonora – SONatório, projeto de extensão da UFRB, e da OLapSo (Orquestra de Laptops SONatório – UFRB). Website: www.mapu.art.br. email: marinanimula@gmail.com
Betamaxers
Isabel Nogueira
Betamaxers é um duo formado por Isabel Nogueira e Luciano Zanatta. Ambos são produtores, músicos, sound designers e videomakers. Suas obras em áudio e vídeo integram improvisação, linguagens experimentais e algorítmicas e meios eletrônicos. Os procedimentos incluem programação, sampleamento e síntese de som e imagem em performances ao vivo ou sequenciadas.
Betamaxers is a duo formed by the musicians Isabel Nogueira e Luciano Zanatta. Both are producers, musicians, sound designers and videomakers. The duo audio and video works integrate improvisation, experimental and algorithmic languages and electronic media. Procedures include programming, sampling and sound and image synthesis in live or sequenced performances.
The noise Inside us
Micael Antunes da Silva, Mariana Cabral
Micael Antunes is a musician and composer who graduated from FAAM (Alcantara Machado Arts School) and a Master’s degree at the University of Sao Paulo. Nowadays, he is a doctoral student at the Arts Institute of the University of Campinas under the supervision of Jonatas Manzolli and Danilo Rossetti, with collaborative project research with the Interdisciplinary Nucleus for Sound Communication (NICS-Unicamp). He worked as a teacher at the Guri Santa Marcelina project, taught theory, improvisation courses, and giving teacher training. His academic research includes tuning systems, psychoacoustics models, and musical analysis, currently applied to his compositions. He participated as a composer and music producer in the compositions that were released with Pedro Marques’ book ”Cena Absurdo”, published in 2016. His music was performed at events such as the International Percussion Festival at EMESP (2016) and ”Musica Estranha Festival” in 2014 and 2015, in Sao Paulo, III Congreso Internacional de Ciencia y Tecnologia Musical, in Buenos Aires. He participated as an author of academic papers in events such as the 15th Brazilian Symposium on Computer Music, in Campinas, and the 13th International Symposium on Computer Music Multidisciplinary Research, in Porto, Portugal. micael.antunes@nics.unicamp.br
Mariana Cabral is a percussionist and sound artist, studying at the Federal University of Mato Grosso do Sul. She played at the Percussion and Batucaria Laboratory (LAPEBA-UFMS). She was a percussionist for the Choir of Trombones and the Symphonic Band at the Federal University of Mato Grosso do Sul. She develops her artistic research focused on sound art and interaction with electronic devices to support the creation of artistic installations. cabralmariana030@gmail.com
Serkan Sevilgen is an Istanbul-based computer programmer and composer. He holds a MA degree in Sonic Arts from Istanbul Technical University Center for Advanced Studies in Music. He is a member of the Istanbul Coding Ensemble (ICE) It was founded in 2018 with a focus on improvisation with musical algorithms using ?just-in-time? programming techniques and real-time communication with ad-hoc network music systems. His interests are computer music, algorithmic composition, sonification, improvisation, network music, and spatial audio.
Symphony in Blue 2.0
Konstantinos Vasilakos, Ali Serkan Sevilgen, Jerfi Aji, Scott Wilson
Konstantinos Vasilakos is an interdisciplinary artist working in the millieu of digital art and interactive media, and Electroacoustic Music. He is based in Istanbul and leads the Sonic Arts postgraduate studies path at the Center for Advanced Studies in Music MIAM, in Istanbul Technical University. His courses focus on the creation of interactive music, sound installations and algorithmic/non-linear composition. His research interests include sonification, new instruments for musical expression and live-coding with networked music systems.
Serkan Sevilgen is an Istanbul-based computer programmer and composer. He holds a MA degree in Sonic Arts from Istanbul Technical University Center for Advanced Studies in Music. He is a member of the Istanbul Coding Ensemble (ICE) It was founded in 2018 with a focus on improvisation with musical algorithms using ?just-in-time? programming techniques and real-time communication with ad-hoc network music systems. His interests are computer music, algorithmic composition, sonification, improvisation, network music, and spatial audio.
Time Garden
Charles Nichols, Zach Duer, Scotty Hardwig
Zach Duer is an Assistant Professor teaching in the Creative Technologies Program in the School of Visual Arts at Virginia Tech in Blacksburg, Virginia. His work lies at a series of intersections: sound and visualization; careful composition and improvised performance; intuitive musical spontaneity and structured digital systems. Scotty Hardwig is a movement and media artist whose work investigates the spaces between the human and the technological, the real and the digital, the body and the environment, and the anatomical/evolutionary and the social. He is an active creator of contemporary works for stage and screen, and an educator teaching courses in movement, performance and integrated media at Virginia Tech. Composer, violinist, and computer music researcher Charles Nichols (www.charlesnichols.com) explores the expressive potential of instrumental ensembles, computer music systems, and combinations of the two, for the concert stage, and collaborations with dance, video, and installation art. His research includes spatial audio, data sonification, motion capture for musical performance, and telematic performance. He teaches Composition and Creative Technologies at Virginia Tech and is a Faculty Fellow of the Institute for Creativity Arts and Technology.
Segunda – 21:00
Code to Cage – From the anarchy of silence, we deal with the causal noise.
https://codetocage.blogspot.com
Andrea May
Andrea May (BRASIL) é artista visual e sonora, curadora independente e mestra em Artes Visuais pela Universidade Federal da Bahia (UFBA). Atualmente é professora substituta no curso de Artes Visuais do Centro de Artes, Humanidades e Letras/ Universidade Federal do Recôncavo da Bahia (UFRB). Também conhecida como May HD, seu projeto solo “Noisy Turntablism” (Discotecagem ruidosa) consiste na livre improvisação utilizando discos de vinil preparados ou destruídos que, somados a efeitos eletrônicos conectam o experimentalismo à potência do sensível feminino em criações sonoras viscerais. Com esta proposta já se apresentou no Festival NOVAS FREQUÊNCIAS Ano X, Festival DYSTOPIE 2020 (Berlin), Circuito de Música Contemporânea – CMC (2018 e 2019), Festival DIGITÁLIA, CURTO CIRCUITO na Audio Rebel (RJ); Centro da Terra (SP), Fauhaus (SP), Casa Híbrido (BH), desenvolvendo parcerias com artistas como Junix 11, Ida Toninato (Canadá), Bella, Marcela Lucatelli, Nahnati Francischini, Aishá Roriz, Edbrass Brasil, Coletivo MACCHINA SOM ALLSTARS, dentre outros. Albuns lançados: AUTOSAVE (Noise Invade); SONHO DOBRADO (Pan Y Rosas Discos – Chicago/ EUA), ORBITAR (single) e EXPULSO (Al revés). http://www.andreamay.com.br/p/about.html. E-mail: andreariosmay@gmail.com
Order and Progress: a sonic segue across A Auriverde
Angelo Fraietta
bio: Angelo started playing the guitar at the age of 15 while completing an Electronics Technician apprenticeship in the Royal Australian Air Force. Since that time, music and electronics have been an integral part of Angelo’s creative being. Angelo has been designing and building electronic musical instruments and software for use within the arts community since 2000, providing engineering and artistic support for artists and universities on an international scale. Many artists and universities have used his electronics and services in exhibitions and in various venues. He is often approached to create technology solutions from industries ranging from medical, legal, academic, industrial, transcription and the arts. Angelo is an amateur astronomer and often looks for ways of combining science with art.
Sobre a eletrodinâmica dos corpos de trabalho
Jeff Morris
bio: Jeff Morris creates musical experiences that engage audiences minds with their surroundings. His performances, installations, lectures, and writings appear in international venues known for cutting-edge arts and deep questions in the arts. He has won awards for making art emerge from unusual situations: music tailored to architecture and cityscapes, performance art for the radio, and serious concert music for toy piano, robot, Sudoku puzzles, and paranormal electronic voice phenomena. He has presented work in the Onassis Cultural Center (Athens), Triennale Museum (Milan), D-22 (Beijings avant-garde music scene), the International Symposium on Electronic Art the Network Music Festival, the Lyndon B. Johnson Presidential Library and Museum (Austin), the Chicago Architecture Foundations Open House Chicago, the Boston Microtonal Society, and the Network Music Festival. His work has won awards in the Concours de Bourges (France), Viseu Rural (Portugal), Music in Architecture International Competition (Austin), the UnCaged Toy Piano Competition (NYC), and the Radio Killed the Video Star Competition (NYC). His music is on Ravello Records.
a
Anésio Neto (a.k.a. stellatum_) is a Philosophy teacher at Federal Institute of São Paulo [Instituto Federal de São Paulo (IFSP)] and Ph.D. in Sound and Visual arts for Universidade de Brasilia (UnB), Brasília, Brazil. Under the name “stellatum_,” Anésio Neto explores sounds, either recorded from Cerrado (ecosystem from Brazil) or produced by himself. By combining different sonic characteristics into ambiances, stellatum_ aims to expand one’s perception of Nature by offering cues to perceive its owns length of time. stellatum_ explores sonic perception to create an expanded ambient wherein people could experience an amount of Nature’s complexity that underlies what is possible to perceive. stellatum_’s primary intention as an art researcher is to enhance the sensation of immersiveness toward his sound compositions.
Augusto Almstaden is both a Computer Engineering and Sound Engineering student at University of Campinas (UNICAMP). Although his work in audiovisual interactions is fairly new, he is determined to learn new skills and improve existing ones to maximize his knowledge about this work area. Fascinated by music for a long time, he has found a friendly face in applying his programming skills in a vast range of musically-related software developments.
Tiago Tavares teaches Computer Engineering at the School of Electrical and Computer Engineering (FEEC), University of Campinas. He has worked in audiovisual interactions since 2015, and has a great interest in new technological support for artistic expressions. He has developed camera-based, audio-based, AI-based, and sensor-based interactive devices, and has used them in audiovisual installations and performances. He uses computers, microcontrollers, and electronics sensors and actuators. Tiago is especially interested in making technological support for art broadly accessible, both economically and technically
Miskets and Canicas
Matias Vilaplana and Anil Camci
Matias Vilaplana’s creative practices involve recording/mixing, music composition, musical interaction design in virtual reality and ensemble improvisation with live audio processing. His current research is focused in the exploration of musical interaction design in virtual environments using consumer grade HMDs and Motion Capture technology employing practice-based methods. He holds a Bachelor of Fine Arts with distinction in Music Technology from Universidad de Chile in Santiago, Chile, as well as an M.A. in Media Arts from University of Michigan. He is currently a PhD student in the Composition and Computer Technologies program at University of Virginia. [http://matvilap.github.io] Anıl Çamcı is an Assistant Professor of Performing Arts Technology at the University of Michigan. His work investigates new tools and theories for multimodal worldmaking at the intersection of extended reality, human-computer interaction, spatial audio and electronic music. Previously, he worked at the University of Illinois at Chicago, where he led research projects on interaction design and immersive audio in virtual reality contexts, and Istanbul Technical University, where he founded the Sonic Arts Program. He completed his PhD at Leiden University in affiliation with the Institute of Sonology in The Hague, and the Industrial Design Engineering Department at Delft University of Technology. Çamcı’s research and artistic work has been featured in leading journals and conferences. He has been granted several awards, including the Audio Engineering Society Fellowship, ACM CHI Artist Grant, and NIME Best Installation Prize. [http://anilcamci.com]
Farewell
Mei-ling Lee
Taiwanese-born composer Dr. Mei-Ling Lee’s work integrates contemporary western music with Asian culture. Her work regularly draws inspirations from western and Chinese poetry. She received her Ph.D. degree in Composition, studied under Dr. Robert Kyr, andDr. David Crumb. She is currently pursuing her second Doctor of Musical Arts degree in Music performance, emphasis in Performance of Data-driven Instruments, studying under Dr. Jeffrey Stolet. Her work has been performed in various conferences, including ICMC (International Computer Music Conference) , ISEA (International Symposium on Electronic Art) , SEAMUS (Society for Electro-Acoustic Music in the United States), and KISS (KYMA International Sound Symposium).
Terça – 21:00
“Secrets, Dreams, Faith and Wonder – A Visual-music Film?
Stephen Pope
Stephen Travis Pope is an award-winning composer, film-maker and computer scientist based in Santa Barbara, California. He has worked developing multimedia software since the early 1980s and has over 100 publications on music theory and composition, computer music and AI. His compositions are available from Perspectives of New Music, CDCM/Centaur Records, The Electronic Music Foundation, Touch Records and HeavenEverywhere Media. He has taught and conducted music research at Stanford University, the University of California Berkeley and Santa Barbara, in Berlin, Stockholm, Amsterdam, Toronto and elsewhere. Stephen is also a practicing Quaker and active clergy in state and federal prisons. stephen@heaveneverywhere.com
AI Phantasy (2020) electroacoustic sound composition for stereo or multichannel speaker array.
Panayiotis Kokoras
Kokoras is an internationally award-winning composer and computer music innovator, and currently an Associate Professor of composition and CEMI director (Center for Experimental Music and Intermedia) at the University of North Texas. Born in Greece, he studied classical guitar and composition in Athens, Greece and York, England; he taught for many years at Aristotle University in Thessaloniki. Kokoras”s sound compositions use sound as the only structural unit. His concept of “holophonic musical texture” describes his goal that each independent sound (phonos), contributes equally into the synthesis of the total (holos). In both instrumental and electroacoustic writing, his music calls upon a “virtuosity of sound,” a hyper-idiomatic writing which emphasizes on the precise production of variable sound possibilities and the correct distinction between one timbre and another to convey the musical ideas and structure of the piece. His compositional output is also informed by musical research in Music Information Retrieval compositional strategies, Extended techniques, Tactile sound, Hyperidiomaticity, Robotics, Sound and Consciousness. More information at http://www.panayiotiskokoras.com
GITAN
L£V1ÄT4 e Flavia Goa
L£V1ÄT4 – Graduando de design gráfico, artista independente e pesquisador pelo CNPQ em Arte Eletrônica e Programação para o Design e a Arte. Flavia Goa – Guitarrista de improvisação, artista sonora e compositora musical de música eletrônica. Vem trabalhando com trilha sonora para dança desde 2018. Atua em ação social em projeto solidário.
Approaches
Karl Gerber
He began playing the electric bass autodidactically. He attended musicology lectures as a guest student in 1975 with Riethmüller in Freiburg. Karl F. Gerber ventured his first experiments with music electronics during his apprenticeship as a physics lab technician in the microelectronics industry. After turning to jazz, he studied double bass with Adelhard Roidinger in Munich. He obtained a M.Sc. in physics from the LMU Munich. As a composer he is self-taught, at the same time he considers his courses with H. W. Erdmann, Cort Lippe, Robert Rowe, Carola Bauckholt or piano lessons with Götz Tangerding and Alex Grünwald together with harmony lessons with Joe Haider and Joe Viera as very useful and with gratitude. A graduate physicist, he worked in the microelectronics industry for many years and as a technical school lecturer in Munich until 2017. His interests range from jazz and electronics to interactive computer sound installations: e.g. Perseus, 1987, at Galerie X, Munich. Experiments with real-time mathematical composition began in 1984 on the Commodore C64 and eventually led to live algorithmic performances such as a co-improvisation with the University of Michigan Dancers at ICMC 1998 in Ann Arbor, Michigan, USA. “Beautiful Numbers” received the 2nd prize as electronic “Music for Dance” in Bourges; with release on UNESCO CD “Cultures Electroniques Vol 12”. In 2019 this track was selected by two choreographers at once for different dance performances for “New Music in Motion” at Schwere Reiter, Munich. “Stream” was selected by the German Society for Electroacoustic Music for CD7 on Cybele. Since “Loops” for piano solo, he has also been creating works in traditional notation without electronics, such as “VC3e” for harpsichord four-hands. A Siemens/MGNM commission resulted in “Unarieunbegleitet”: the voice of the singer influences an acoustic computer grand piano in a complex way. Here the abandonment of electronic sound synthesis is already apparent – without giving up interactivity! The “experimental violin automaton” was first presented as a work-in-progress in 2012 at the Deutsches Museum in Munich. In the process, Gerber holistically designs both software, hardware, mechatronics and composition itself. Since an invitation to the Kontakte Festival 2017 at the AdK Berlin, his installation “Computer Music without Loudspeakers” has also attracted international interest. So in USA (Boston Berklee College) and South Korea, Seoul 2019. From a large number of applicants his installation “Violinautomat” was selected by the ISCM to the World Music Days in Tallinn, Estonia. Most recently he received the “Award of Distinction” at Matera Intermedia 2020 in Matera Italy in the Performance/Sound Art category.
Substânicas Moldáveis
Danilo Rossetti
Danilo Rossetti is a composer and researcher that focuses his work in the use of technology and interdisciplinary research in creative processes and musical analyses performances. He is author of musical works for different formations (solo or ensembles), acousmatic, live electronics and multi-modal (audiovisual installations, music and dance, networked and telematic music). He is assistant professor at the Department of Arts of the Federal University of Mato Grosso (UFMT), and collaborator professor at the graduate music studies of the Institute of Arts at UNICAMP. He accomplished a post-doc research at the Interdisciplinary Nucleus for Sound Communication, at the University of Campinas (funded by the São Paulo Research Foundation) and earned a Ph.D. in Music Composition at the same university, with a doctoral stage at the CICM/Paris 8 University. His compositions have been played in many events and festivals such as ICMC, CMMR, NYCEMF, NIME, CICTeM, NowNet Arts, BIMESP, SBCM, FILE Hipersônica, ANPPOM, and Funarte Contemporary Music Biennial. He is author and coauthor of several articles concerning creative processes in music and musical analyses.
Quarta – 21:00
muita onda pra Vinicius de Moraes
Zé Balbino
Zé Balbino aka ZEBB é DJ, produtor musical e artista multimídia, e além de produzir dentro de linguagens como vídeo e fotografia, produz arranjos eletrônicos desde 2005. Começou produzindo para experiências radiofônicas, mas, com o nascimento do seu projeto Cidadão Comum Sistema de Som, adentrou o universo da Produção Musical dedicando-se inicialmente ao Reggae, como estilo musical favorito e ao Dub como linguagem, produzindo faixas e projetos musicais com cantoras como a nigeriana Okwei Odili e a brasiliense Tatiana Nascimento. Trafegou em iniciativas dentro da Cultura Popular Tradicional utilizando a Música Eletrônica e a Produção Musical como ferramentas no tempo em que atuou na ação Cultura Digital do MinC, dentro do Programa Cultura Viva, até se envolver com a música experimental em 2013. Como resultado dessa perspectiva criou junto com o trompetista Mateus Aleluia Filho o duo Terra Vermelha. Hoje, dedica-se à sua pesquisa de Doutorado, onde desenvolve um trabalho que pensa nas interações da música da cultura popular tradicional com a música eletrônica a partir de uma perspectiva decolonial e contra-hegemônica.
submerso
João Meirelles
João Meirelles é compositor, produtor musical, live electronics performer e fotógrafo. Desenvolve desde 2010 seu trabalho autoral Infusão – projeto de performances musicais e composições através de improvisação. Desde 2012 faz live electronics na Baiana System, banda com impacto na cena da música independente brasileira e internacional. Compositor de diversas trilhas sonoras, João compõe e faz direção musical para artes do corpo, artes cênicas, cinema/animação e shows. Seus trabalhos recentes de Produção Musical são os álbuns “Olho de Vidro” de Jadsa e “Sistema Integrado Percussivo” de Japa System. Em 2020 lançou o Taxidermia Vol.1, projeto em parceria com a compositora Jadsa. Graduado em composição e mestre em interpretação e criação musical pela EMUS-UFBA, leciona atualmente cursos livres de produção musical.